Don't find a man. Find yourself.

fuck-me-under-the-stars:

cocotropics:

wildbliss:

r0llerc0aster-ride:

piercethebandmerch:

cantlivewithoutlyrics:

March 2. This girl is already dead.

I will forever Reblog this

YOU REBLOG THIS NO MATTER WHAT KIND OF BLOG YOU ARE D:<

If you don’t reblog this I’m judging you

i… wow :’(

Oh god…whoa…tears

:’( i..err… :’(

(Source: itsonlyouandme, via poledancinghunters)

soulballer:

recykle:

OMG THIS IS PERFECT

“Please, no pictures”

(Source: tigergif, via poledancinghunters)

the face of the rebellion

(Source: corn-nuts, via jhutch-is-my-dandelion)

(Source: wellroundedandpracticallyperfect, via jhutch-is-my-dandelion)

watchtheskytonight:

devinleighbee:

I never noticed the change in color tones before!

JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene. 

MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion. 

IA/SH-  Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation. 

SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.  

JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.  

I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries. 

I’m just going to sit in this corner now

(via poledancinghunters)

bronzethumb:

jtammanyhall:

All the Bonds.

This is fantastic.

(via clarainamillionpieces)

(Source: wishful--dreaming)

whotags:

tedmosbius:

Basically I keep yelling at them in my head to SHUT THE DOOR!

#waiting… #and there’s not even a SNAP #and she sits there like #hold on he’s excited #he’ll be right back #…and then a couple minutes go by #…and then a couple more #…then from the depths of the TARDIS there’s a loud cloister bell CLANG #ALRIGHT I’LL JUST GET IT THEN SHALL I #and the doors snap shut with a bang #and Sexy locks them spitefully #because once is forgivable #even if it is a London street #among all the false red imposters #it WAS Clara’s first go #but TWICE? #I don’t care if you want back in Clara you didn’t shut the doors #take it up with my thief because I am 1103% done (via nonlinear-nonsubjective)

(Source: clarabosswins, via clarainamillionpieces)

(via clarainamillionpieces)

(Source: wishful--dreaming)

-Question: Would you rather have a Orgasm every 5 seconds or every 5 years?

{x}

(via alwayshemurmurs)